MA English & Literary Media

Delivery:
Full time according to Funding Council definitions, Part-Time

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MA English & Literary Media is a contemporary, modern English degree that emphasises the way that media and digital technology influence how we understand and engage with literature, literary texts and narratives. It also explores how developments in media and technology offer innovative and interactive forms of storytelling for authors and communication practitioners.

Drawing productively from English Literature and literary studies, as well as cultural studies and digital humanities, the course de-privileges the idea of the printed text and considers it alongside the kinds of narrative that exist in other media.

You will be invited to consider the ways in which both contemporary and historical literary texts have been adapted for different mediums and how para text and extra textual materials contribute to audience expectations and experiences. You’ll explore definitions of free speech, freedom of expression, censorship and public interest in the context of public cultural controversies.

Our academic staff members include leading national and international scholars in the fields of modern and contemporary literature, media studies, cultural studies and new media writing. In addition, the Faculty of Media & Communication has a number of practising media professionals whose experience of working within the media industries complements the academic expertise of our researchers.

This combination of academic rigour with professional practice is ideally suited to helping you develop transferable skills during your Master’s degree.

Image description — Students in a seminar

Key information

Next start date:

September 2019, January 2020, September 2020, January 2021

Location:

Bournemouth University, Talbot Campus

Duration:

1 year full-time, with or without optional placement. 16 months or 20 months part-time with optional placement September start. 16 months or 20 months full-time with optional placement. 28 months part-time with or without optional placement January start

Entry requirements:

A Bachelors Honours degree with 2:2 in any subject, or equivalent

International entry requirements:

For September 2019 and January 2020 entry: If English is not your first language you'll need IELTS (Academic) 7.0 with a minimum of 6.5 in writing and 6.0 in speaking, listening and reading. For more information see our full entry requirements.

For September 2020 and January 2021 entry: If English is not your first language you'll needIELTS (Academic) 7.0 with a minimum of 6.5 in writing and 5.5 in speaking, listening and reading. For more information see our full entry requirements.

Course details

On this course you will be taught by a range of staff with relevant expertise and knowledge appropriate to the content of the unit. This will include senior academic staff, qualified professional practitioners, demonstrators, technicians and research students. You will also benefit from regular guest lectures from industry.

The following units will be studied over three semesters for the one year full-time option, or over four semesters spread over two years for the part-time option.

Download the programme specification (pdf 348kb)

Core units

Cultures & Materialities: An introduction to working with contemporary collaborative media and the historical differences and continuities in literature’s production, storage and display. From the pre-Gutenberg era to digitalised print, you'll study literary cultural production as part of a broad cultural and media history.
Markets & Audiences: A sociological approach to studying the cultural industries and their audiences, exploring marketing and promotion of cultural texts. You'll consider how para texts and extra textual materials contribute to audience expectations and experiences, and how they reflect cultural and political differences.
Interactive Storytelling: Investigate and understand the art of storytelling in digital-interactive media. Starting with a brief pre-history, this unit will come to grips with contemporary traits thrown up at the intersection between digitalisation and interactivity. There will be a rigorous scholarly framework for your existing digital literacy and you'll have space to reflect on and improve your competence with interactive digital media.
Culture & Controversy: You'll explore definitions of free speech, freedom of expression, censorship and public interest in the context of public cultural controversies. For example, D.H Lawrence’s 'Lady Chatterley’s Lover' might be studied as a literary text, whilst you'll also study the historical context of attempts to censor and suppress the novel and debates over that suppression in the print and broadcast media.
Mediating the Nation: The relationship between cultural production and a series of changing historical and political contexts in contemporary Britain. More specifically, you'll consider cultural constructions of Britain, Britons and Britishness. By analysing a range of literary and cultural forms, you'll explore how these things have been constructed and legitimised through culture historically. This unit will also look at how two historical developments have had a significant impact on how British ness has been culturally constructed: the transition away from imperialism and political devolution across the United Kingdom.
Narrating Identities: An opportunity to study a number of genres that can loosely be defined as life writing. Critical approaches to biography, autobiography, autobiographical fiction and film biopic will be analysed in a theoretical framework to help you generate the critical vocabulary and cultural literacy needed for detailed analysis. You'll explore notions such as cultural identity, dominant ideology and emerging or oppositional cultural narratives.
Dissertation (academic) OR Major Project (creative): An opportunity to develop and show your critical, analytical and research skills by completing a significant piece of academic or creative work. You'll finish your studies and work with a degree of independence not previously experienced in your coursework, focusing on topics that interest you the most. You'll hone your strengths and establish curiosity to take with you into future careers.

Programme specification

Programme specifications provide definitive records of the University's taught degrees in line with Quality Assurance Agency requirements. Every taught course leading to a BU Award has a programme specification which describes its aims, structure, content and learning outcomes, plus the teaching, learning and assessment methods used.

Whilst every effort is made to ensure the accuracy of the programme specification, the information is liable to change to take advantage of exciting new approaches to teaching and learning as well as developments in industry. If you have been unable to locate the programme specification for the course you are interested in, it will be available as soon as the latest version is ready. Alternatively please contact us for assistance.

Your application

How and when to apply

There is no application deadline for this course. However, if you will need a visa to come to the UK to study, think carefully about the length of time it will take for your visa application to be processed and make sure your visa will be ready in time for the beginning of your course.

Click the green ‘Apply now’ button to submit your application free of charge online through myHub, our application portal. You will create your own myHub account so that you can track the progress of your application. Don’t forget to save your application as you go; you can return to it at as many times as you want before you submit it. For more information visit our How to apply section.

Entry requirements

General entry requirements

The normal requirements for embarking upon a postgraduate taught degree are:

A Bachelors Honours degree with 2:2 or equivalent in any subject.

If you lack the formal academic qualifications needed to enter a postgraduate or post-experience degree, there are several alternative routes to follow. Some of these are based on experience. Contact the Future Students Enquiry Team for more information.

International entry requirements

You can find details of the international qualifications we accept, and what level of study they apply to, on our entry requirements for non-UK students' page.

If English is not your first language, you will need to provide evidence that you understand English to a satisfactory level. English language requirements for this course are normally:

For September 2019 and January 2020 entry: IELTS (Academic) 7.0 with minimum 6.5 in writing and 6.0 in speaking, listening and reading, or equivalent.

For September 2020 and January 2021 entry: IELTS (Academic) 7.0 with minimum 6.5 in writing and 5.5 in speaking, listening and reading, or equivalent.

View further information about our English language requirements.

Bournemouth University International College offers a number of pre-sessional English and preparatory programmes to prepare international students for postgraduate study at BU. Admission to the degree is guaranteed on successful completion of your course to the required level.

Careers

This course enables students to combine the skills of literary analysis developed during an undergraduate degree with a series of new theoretical and methodological approaches to the study of English in a range of different media.

All information shown has been taken from Destination of Leavers from Higher Education (DLHE) or BU institutional data unless otherwise stated.

Potential job roles

Industries worked in

Further study

Costs and fees

You can find full information about the deposits required and how to pay your fees in our postgraduate fees and funding section, including details of the Postgraduate Loan (subject to fee status).

All fees are quoted in pounds sterling and are per annum. Fees quoted are for tuition only unless stated otherwise. Your tuition fees will be the same for each year of your course.

Find out more about living expenses for postgraduate students

No hidden extras

What’s included in your tuition fee?

Your tuition fee covers expenses associated with your course including tuition materials, access to facilities, mandatory field trips and the following:

One set of study-related consumables such as a memory stick/ DVD
Materials for laboratory and field-based teaching activity
Support for finding placements (UK or abroad) and fieldwork, and non-financial support whilst on placement
A range of student services – advisors, help desks, counsellors, placement support and careers service
The Library – access to a wide range of electronic resources (databases, e-journals and e-books), print and multimedia collections, subject librarians and study spaces
IT labs (some open 24/7), wireless network, AV equipment to borrow
Peer Assisted Learning (PAL) scheme
Disability and additional learning support
The BU Language Centre to help you develop/improve foreign or English language skills
24 hours a day, 365 days a year security team.

Costs of living and other expenses you need to consider

Additional costs

We are committed to offering you value for money and ensuring there are no hidden costs while you are studying with us, therefore we have listed below any additional costs you may incur that are not covered by your tuition fee:

Accommodation and living costs. Our accommodation price guide can be found on our website.
Optional fieldwork travel, outdoor wear and footwear (where applicable)
Text books, general stationery and other supplies. Our award-winning library is stocked with a large range of text books and online resources, free of charge. The Students’ Union shops stock a wide range of stationery supplies on both campuses.

Repeat units

Deposits

International (non-EU) students need to pay a non-refundable £2,000 deposit to secure their place on a postgraduate course. You will need to pay your deposit by the date stated in your offer letter. The remainder of your fee will be payable on registration/enrolment. There are two exceptions to the non-refundable rule on the deposit:

You fail to meet the academic or English requirements of your offer
You are refused a visa to enter the UK, provided the reason for the refusal is not a fraudulent application.

Financial help available from BU

Our staff

On this course you will be taught by staff with relevant expertise and knowledge appropriate to the content of the unit. This could include senior academic staff, qualified professional practitioners and research students, many of whom are actively engaged in research and/or professional practice which is integrated into the teaching of this course. Please note that teaching staff can change.

Dr Simon Frost – Joint Programme Leader

Simon Frost is Principal Lecturer in English and CEMP Fellow; Senior Commissioning Editor for Oxford University Press ORE (Oxford Research Encyclopedia); and he is Director of Transnational Affairs and Executive Board member of the leading society in the field, the Society for the History of Authorship, Reading and Publishing (SHARP www.sharpweb.org).

He is the author of Business of a Novel: Economics, Aesthetics and the case of Middlemarch (Pickering and Chatto 2012), of many articles on the material text, including “Economising in Public”, in Book History, 17 (Johns Hopkins 2014), and is co-editor of Moveable Type, Mobile Nations: Interactions in Transnational Book History (Museum Tusculanums Forlag, 2010).

He is currently working on the project Private Gains and Retailed Literature, working with a professional retailing chain and using empirical research to create a theory of a political economy of reading.

View Dr Simon Frost’s staff profile

Dr Sam Goodman – Joint Programme Leader

Dr Sam Goodman is Senior Lecturer in English & Communication, he teaches on units including Media & Trauma (BA English), Space, Place & Environment (BA English) and Narrating Identities (MA English & Literary Media).

His research interests focus on formations of Britishness across diverse forms of culture, from literary texts to video games and beyond. He is the author of British Spy Fiction & the End of Empire (2015), and co-editor of Medicine, Health & the Arts: Approaches to Medical Humanities (2014), both published with Routledge, and was a BBC/Arts and Humanities Research Council New Generation Thinker for 2015-16, and continues to make programmes with the BBC.

He is currently pursuing a project on alcohol and colonial British India funded by the Wellcome Trust, and documents his research on the blog: imperialmeasuresblog.wordpress.com.

View Dr Sam Goodman’s staff profile

Dr Hywel Dix – Principal Academic in English

Dr Hywel Dix is Principal Lecturer in English and Communication at Bournemouth University. He was formerly Raymond Williams Research Fellow at the University of Glamorgan, leading to the publication of After Raymond Williams: Cultural Materialism and the Break-Up of Britain (Second Edition, 2013).

He has published extensively on the relationship between literature, culture and political change in contemporary Britain, most notably in the monograph Postmodern Fiction and the Break-Up of Britain (Continuum, 2010). His wider research interests include modern and contemporary literature, postmodernism, critical cultural theory and autofiction.

His monograph about literary careers entitled The Late-Career Novelist was published by Bloomsbury in 2017 and an edited collection of essays on Autofiction in English is due out with Palgrave in 2018.

View Dr Hywel Dix’s staff profile

Dr James Pope – Principal Academic in English and Communication

Dr James Pope has a continuing interest in fiction across the media, particularly looking at how new-media may be changing narrative forms and reading and writing practices.

He has specific research interests in interactive fiction, the teaching of creative writing in digital media environments, and children’s literature. As well as several publications around interactive fiction, and children’s literature, James has also published six novels for children and teenagers, including Spin The Bottle (Penguin), which was listed as one of the best teenage novels of 1998 by the Federation of Children’s Book Groups.

He created the dedicated software platform for online interactive storytelling, Genarrator, www.genarrator.org. He is also co-founder and organiser of the annual New-Media Writing Prize, now in its eighth year, which celebrates and promotes interactive narrative around the world. Currently he is working on community-based new-media storytelling projects, and a VR narrative project with digital artists Judi Alston and Andy Campbell.

View Dr James Pope’s staff profile

Professor Bronwen Thomas – Professor of English and New Media

Bronwen Thomas is Professor of English and New Media and Director of the Centre for the Study of Journalism, Culture and Community. Bronwen’s research focuses on how technologies developed in the digital era have impacted on both writing and reading.

She has gained funding from the AHRC for three projects on digital reading, the latest of which is called Reading on Screen. Bronwen has published widely on new media narratives, fanfiction, online reading communities and fictional dialogue. She is currently writing a book on Literature and Social Media.

On MALM Bronwen teaches the semester 1 unit Markets and Audiences that examines the promotion and reception of ‘texts’ across a range of media.

View Professor Bronwen Thomas’ staff profile

Dr Julia Round – Principal Academic

Dr Julia Round is a Principal Lecturer in the Faculty of Media and Communication, where she teaches units on ‘Crime and Terror’ (BA English), ‘Children’s Literature’ (BA English), and ‘Culture and Controversy’ (MA English & Literary Media). Her research focuses on Gothic, comics and children’s literature.

She edits the academic journal Studies in Comics and organises the annual International Graphic Novel and Comics Conference (now in its ninth year). She is a leading figure in British comics studies and received the 2015 Inge Award for Comics Scholarship for her research on The Walking Dead.

Her academic books include Gothic in Comics and Graphic Novels: A Critical Approach (McFarland, 2014), the co-edited collection Real Lives Celebrity Stories (Bloomsbury, 2014), and Misty and Gothic for Girls in British Comics (University Press of Mississippi, 2018).

She published her first short comic, ‘Doll Parts’, in the anthology Wilma: Whatever Happened to Girls’ Comics? (Inkpot, 2017). You can find out more about her work and contact her directly at www.juliaround.com – she is always happy to talk!

View Dr Julia Round’s staff profile

Dr Yugin Teo – Lecturer (Academic) in English & Communication

Dr Yugin Teo is Lecturer in English and Communication at Bournemouth University. He has previously taught literature and film at the University of Brighton and the University of Sussex where he completed his doctorate.

His research on the representation of memory in literature and film has been published in the journals Critique, Medical Humanities and Science Fiction Film and Television. His monograph Kazuo Ishiguro and Memory was published by Palgrave Macmillan in 2014.

View Dr Yugin Teo’s staff profile

Course changes

Changes in 2019

Date	Changes to this course
12/04/2019	Where the change was made: Course title Change: Course title changed to MA English & Literary Media Previous title: MA Literary Media

Changes in 2018

Date	Changes to this course
29/01/2018	Where the change was made: Selection Criteria Change: Applicants will receive a decision on their application based on the information submitted in the application form. For more information, take a look at our post graduate how to apply pages. Previous text: Applicants will usually receive a decision on their application based on the information submitted in the application form. However, some applicants may be invited for interview to discuss their application further. Applicants may be interviewed in person, via telephone or Skype. For more information, take a look at our post graduate how to apply pages.

Date

Changes to this course

29/01/2018

Where the change was made: Selection Criteria

Change: Applicants will receive a decision on their application based on the information submitted in the application form. For more information, take a look at our post graduate how to apply pages.
Previous text: Applicants will usually receive a decision on their application based on the information submitted in the application form. However, some applicants may be invited for interview to discuss their application further.

Applicants may be interviewed in person, via telephone or Skype. For more information, take a look at our post graduate how to apply pages.

What our students say

Jaime Gorman

The faculty of my programme are both dedicated and inspiring. They work hard to convey their knowledge and skills and expect the same dedication from us to absorb it.

Hear from our staff

Dr Hywel Dix

We developed this MA as our students wanted to be able to carry on their studies and follow the distinctive approach we take to studying English here.